skip to content
Choreography & narrative : ballet's staging of story and desire
ClosePreview this item

Choreography & narrative : ballet's staging of story and desire

Author: Susan Leigh Foster
Publisher: Bloomington : Indiana University Press, ©1996.
Edition/Format:   Book : EnglishView all editions and formats
Summary:
Choreography and Narrative traces development of the story ballet from the early - eighteenth-century fair theatres through the Revolutionary fetes to the well-known Romantic ballets La Sulphide and Giselle. This history charts ballet's separation from opera at mid-century and its emergence as an autonomous art form dedicated to the telling of a story through gesture and movement alone. The site for this historical
Getting this item's online copy... Getting this item's online copy...

Find a copy in the library

Getting this item's location and availability... Getting this item's location and availability...

WorldCat

Find it in libraries globally
Worldwide libraries own this item

Details

Additional Physical Format: Online version:
Foster, Susan Leigh.
Choreography & narrative.
Bloomington : Indiana University Press, c1996
(OCoLC)604713463
Document Type: Book
All Authors / Contributors: Susan Leigh Foster
ISBN: 0253330815 9780253330819
OCLC Number: 34191931
Language Note: Text in English; appendix in French.
Description: xvii, 371 p. : ill. ; 26 cm.
Contents: Introduction: Pygmalion's No-Body and the Body of Dance --
1. Originary Gestures --
2. Staging the Canvas and the Machine --
3. Narrating Passion and Prowess --
4. Governing the Body --
5. Fugitive Desires --
Conclusion: Ballet's Bodies and the Body of Narrative.
Other Titles: Choreography and narrative
Responsibility: Susan Leigh Foster.

Abstract:

Choreography and Narrative traces development of the story ballet from the early - eighteenth-century fair theatres through the Revolutionary fetes to the well-known Romantic ballets La Sulphide and Giselle. This history charts ballet's separation from opera at mid-century and its emergence as an autonomous art form dedicated to the telling of a story through gesture and movement alone. The site for this historical inquiry is Paris, home to the most popular and lavish.

dance productions of the eighteenth and early nineteenth centuries. The ballet is analyzed in terms of the training procedures for dancers, the aesthetic goals and responsibilities of choreographers, the institutional frameworks that promote productions, and the expectations and pleasures of dance viewers. Throughout, ballet is approached as a cultural practice intimately connected with political and economic features of French society, a practice whose evolving form.

bears witness to, as it participates in, the sweeping social changes of the eighteenth and early nineteenth centuries. To uncover the significance of ballet, Choreography and Narrative compares the dancing body with the body as constructed in social dance practices, and also in anatomy, etiquette, painting, acting, and physical education. Choreography is considered as a theorizing of embodiment, one which reflects on the individual, gendered, and social identities of.

those who dance and those who watch dancing.

Retrieving notes about this item Retrieving notes about this item

Reviews

User-contributed reviews
Retrieving weRead reviews...
Retrieving Amazon reviews...

Tags

Be the first.
Confirm this request

You may have already requested this item. Please select Ok if you would like to proceed with this request anyway.

Close Window

Please sign in to WorldCat 

Don't have an account? You can easily create a free account.